(This is a slight re-edit of one of the very first WP posts ever made on this blog about ten years ago, when I was transitioning from software-oriented technical writing to more creative things. The exercise exemplified is still of value, it seems to me)… There is a subtle distancing effect which our numerous online devices and other technologies foist upon our minds regarding the world of everyday objects. Left unchecked, we develop a disregard and disinterest in things and their nature, reflected in the disposable stance many ‘movers and shakers’ adopt towards articles of utility. But imagine if the surrounding world of objects could be reunited with their rightful depths of significance, qualities, and history! Suppose you had to think ONLY about a piece of chalk, to take a mundane example, for ten full minutes. How difficult would it be, and what could be recovered?
Mrs. Markey’s Sentient Fiddle – (scene 8)
A Novella in installments, tracing the intermingling autobiographies of a boy and a violin, spanning over a century. The previous episode is right here. To find any episode, look here.

(The protagonist posing with some old friends: a Japanese shakuhachi, A Zimbabwean mbira, and a good ol’ American jaw harp.)
(8) – Ma — It’s Johnny’s Dopey Friend, NJ, 1962
The Angel Rouses Me In Golden September
Christian Nationalism is Subtle Evil
Mrs. Markey’s Sentient Fiddle – (scene 7)
A Novella in installments, tracing the intermingling autobiographies of a boy and a violin, spanning over a century. The previous episode is right here. To find any episode, look here.

(The protagonist posing with some old friends: a Japanese shakuhachi, A Zimbabwean mbira, and a good ol’ American jaw harp.)
(7) – Rowena and the Maestro, Albany, 1898
Inside’s Secret Outside
Mrs. Markey’s Sentient Fiddle – (scene 6)
A Novella in installments, tracing the intermingling autobiographies of a boy and a violin, spanning over a century. The previous episode is right here. To find any episode, look here.

(The protagonist posing with some old friends: a Japanese shakuhachi, A Zimbabwean mbira, and a good ol’ American jaw harp.)
(6) – The Honeysuckle Bower, NJ, 1962
Ripeness
Mrs. Markey’s Sentient Fiddle – (scene 5)
Une Triolet Solitaire Pour Toi
Imagine: 19th century, Klondike gold rush, dangerous Yukon, a young man daring his fortune, his sweetheart behind far behind, waiting, somewhere in a seaside village in Mexico.









