Heavenly Choreography

This is something I wrote almost 5 years ago. But I am re-posting it as a kind of lead in to something I’ve been working on the past few weeks, about astrology and its poor reputation. I had been trying to see clearly how binary stars move: “Lonely” Pluto’s been in the news lately due to the fly-by of the U.S. New Horizons probe. Startling images and geological questions have arisen, and two new moons have been photographed. But what piqued my interest was the pronounced wobble in Pluto’s motion, not a new discovery, which has to do with both the proximity and similarity in mass of it’s largest moon Charon. This led to a general investigation into how and why celestial bodies are influenced by each other in space, according to conventional physics.

long-range radio image
pluto and charon
pluto-charon orbits
pluto, charon, and U.S.

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First Fisherman of April

Every year he comes briefly and faithful like wild violets, 8 or 9 seasons now, long as I defy the clock and occupy astounded this abode. It’s not true, how things seem, that he projects staunch solitude and won’t converse. But you must approach with reverence for nature, and show you’ve learnt how human natures all command respect. Else most you’ll get is a tipped forehead and good day.

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Disputes Among Three Mirrors

Westernized Neo-Buddhism is eager at every opportunity to point out that Self is maya, an apparition, while the doctrine of no-self, anatta, is an early gleaned fruit on the path. I think this is both wrong and an incomplete interpretation. In truth, the conception of Self is evolving, and must do so more, especially now. This is the openly secret message behind the radical Gospel indication of I AM, most clearly evidenced in John. There are stages of I-ness which unfurl to the aspirant, qualities shed and cultivations added. A faucet spills liquid ceaselessly in a theater of consciousness. First we are the water; then with considerable effort we may become the faucet; perhaps later still the force of will which regulates the whole meshugina. But this is still only a beginning… Happy Easter!

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Pilgrimage to Moishe’s

My solo evening meal at one of Leonard Cohen’s favorite haunts. Perhaps the main reason why I came was to figure out why I came…

[ Parc du Portugal, in the evening ; Leonard Cohen as an almost-young upstart, from his first album cover circa 1968 ; Moishe’s Rumanian ambience ; Leonard Cohen as an old upstart, performing in London to wide acclaim, aged 75. ] 

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